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60 Male Songs That Cross the Fourth Wall

Looking for a song from a musical? One that connects directly with the audience? What you need is a “House Number”!

House number is a song that crosses the invisible fourth wall between the actor and the audience, the wall that exists in the character’s mind (after all, in most plays and musicals, the characters are unaware that a group of people are watching them).

There are only a few real House tracks in the Musical theater, but you can actually break the fourth wall pretty easily with other songs. Here are 60 songs for men to sing directly to an audience. I divided the songs into three categories: the real House track

the song to the audience

the soliloquy.

The first category is the real House number: The singer is fully aware that the audience is there and “comes out” of the show.

If you want to die in bed, American Dream from Miss Saigon and Oh What A Circus from Evita are good examples of real house numbers. Sondheim writes excellent House numbers such as Comedy Tonight and Everybody Ought To Have A Mail from A Funny Happened on the Way to the Forum or Invocation to the Gods and Instructions to the Audience from The Frogs (not often performed as it takes place in the film). real swimming pool).

The second category includes songs in which the character sings to the audience on stage as part of the plot. The most obvious song for men is Master of the House from Les Miserables. The Cabaret MC usually expands the Berlin nightclub audience to the actual theater audience with songs like Willkommen and If You Could See Her. In Barnum, The Museum Song is sung to a general crowd, as is Bigger Isn’t Better. Springtime for Hitler is sung to the audience in The Producers, as is Beautiful Girls (from Follies).

Consider Use What You Got from The Life, Pinball Wizard from Tommy, and I Am What I Am from La Cage Aux Folles. Stand Up And Fight (Carmen Jones) and Get Me To The Church On Time (My Fair Lady) can both be sung as House tracks. You could also get away with All I Care About Is Love and Chicago’s Mr. Cellophane. An unusual one is Come Up To My Office from Parade, where the main character imagines a scene “re-enacting” in a courtroom. version of his young female colleagues.

Tribute Musicals are useful sources for House tracks such as That’ll Be The Day and Johnny Be Good from Buddy or I Want To Break Free from We Will Rock You. Practically any song from Hedwig And The Angry Inch would work, including Sugar Daddy and The Angry Inch. The 25th Putnam County Spelling Bee has an implied audience for the spelling bee, and the “kids” sing songs like My Unfortunate Erection directly to them. I Can Do That (from A Chorus Line) is sung to Zach, who is actually sitting at the back of the real audience.

Then there’s the third type—the single-focus song (the soliloquy), which has an external feel, or asks questions, or contains rhetoric. Funny from the City of Angels. Wild Party and Don’t Take much from The Life work well. All I Need Is The Girl from Gypsy will work, as will Tonight At Eight and She Loves Me from She Loves Me. Check out How To Handle A Woman from Camelot, Being Alive from Company and two from Parade (Pretty Music and Big News).

Oddly enough, Anthem from Chess can act as a fourth wall number as the Russian can share his story with the audience. You can also experiment with songs like Make Them Hear You from Ragtime, If I Were A Rich Man from Fiddler on the Roof or Thank Heaven For Little Girls from Gigi. And this list includes two from And They’re Off from A New Brain and Dressing Them Up a Kiss of the Spider Woman.

Giants In The Sky from Into The Woods, Larger Than Life from My Favorite Year, Corner Of The Sky from Pippin and Guys and Dolls (the title track) are all good on the fourth wall. And from Les Miserables you can discover Dog Eat Dog – Thenadier’s great solo scene from Act 2 or King Of The World (Songs for a New World). Then there’s the dentist! from Little Shop of Horrors, Leaning on a Lamppost from Me and My Daughter and Review of the Situation from Oliver!

You can raid virtually any revue-style show for material – Sondheim’s performances are a great place to start – The Ballad of Booth from Assassins, Everybody Says Don’t from Anyone Can Whistle or These Are My Friends from Sweeney Todd, singing as Todd reunites with with his razors.

By the way, The Soliloquy from Carousel won’t work because the singer is arguing with himself and there’s definitely no one else in it but maybe God. However, This Is The Moment can work because it can share its success with the audience.

Slower songs usually don’t work, but there are exceptions: What More Can I Say by Falsettos or Higher Than A Hawk by Calamity Jane. A little happiness from getting personal is a much more reflective story designed to be shared with an audience.

The point of a House track is to communicate directly with the audience, so remember to use a lot of eye contact when you perform. Enjoy!

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