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A 21st Century Remake of “Singing in the Rain?” – An Almost Impossible Cinematic Endeavor

Last night I watched the award-winning musical Singing in the Rain, starring the late Gene Kelly and Donald O’Connor and octogenarian Debbie Reynolds, for the tenth time. The 1952 motion picture was nominated for 2 Oscars, in 1953 it won the Golden Globe and 3 other important awards. In fact, I think it should have won more Academy Awards in 1953 for its immaculate, if not perfect, dance choreography, comedy and drama. I mean, compared to the talent and precision shown more than a decade later by Julie Andrews and Christopher Plummer in the 1965 musical “The Sound of Music,” I think it was far less than what Kelly, Reynolds, and O’ Connor introduced me. , “Singing in the Rain” should have won at least 2 Oscars. Of course, the two motion picture musicals differed in style, length and talent of the actors; but one cannot fail to notice the most essential difference between the two productions. The dancing, singing, and comedic and dramatic acting was an absolutely flawless ensemble by the dancers, actors, and studio crew of “Singing in the Rain,” while there were a few “unmentioned” choreographic errors. “The Sound of Music” c. The motion picture professionals behind “Singing in the Rain” worked tirelessly together to create an unparalleled musical production. Moreover, since 1952, you can count on one hand how many American musicals have been made with the same natural, flawless dancing, singing and acting from the main characters. So the question remains, begging for an answer as to why “Singing in the Rain” wasn’t remade in a modern setting with different casts like so many other remakes of classic movies?

You can use all the fancy 21st century computer gadgets and advanced sound equipment money can buy to synthetically reproduce the real dancing, singing and acting of Gene Kelly, Debbie Reynolds and Donald O’Connor; but one irrefutable fact remains ultimately true. It would be an expensive but ultimately failed experiment in artificial filmmaking. It is impossible to convincingly simulate natural human talent with computers. Also, three versatile entertainers like Gene Kelly, Debbie Reynolds, and Donald O’Connor, among all the talented dancers and singers in the current 21st century world, are highly unlikely to replicate what these three unique men have done. And that’s a crying shame. These three stars combined wonderfully to act, sing and dance, something no current stage or motion picture star can do remotely. Take Robin Williams for example. He’s an amazing actor and comedian, but he can’t dance or sing like Gene Kelly or Donald O’Connor. Matt Damon, Tim Robbins, Tom Hanks, Ben Affleck, Brad Pitt, George Clooney, Meg Ryan, Russell Crowe, Richard Gere and Julia Roberts and many other Oscar winners of the late 20th century are all truly great actors who made their millions . But none of them can come close to combining acting, singing and dancing, as the cast of “Singing in the Rain” has done perfectly. Some movie producers believe that these aforementioned top-rated actors and actresses could use computer enhancements to convince theater and television audiences that they actually have talent that they don’t. I do not think so. The use of such technical falsifications would be very obvious.

There is another reason why I don’t think a true remake of “Singing in the Rain” has been made. People today just don’t like to work as hard as actors and actresses did in the 1930s, 40s and 50s to produce natural artistic excellence. Now they are willing to settle for less to get paid. For example, in September 1990, when I was living in Carlsbad, California, I was discussing singing talent late one night with Madonna’s sound manager, who was returning to Los Angeles from a concert at the San Diego Convention Center. He stopped for refreshments at the Carlsbad 7-Eleven where I was the night manager. The guy seemed completely sane as he spoke very honestly about Madonna and her talent. “It’s all in the sound system,” he said. “Madonna doesn’t have much vocal talent, but she has a great sound manager and the best equipment.” Then he laughed and added. “With the right computer sound equipment, any normal person’s voice can sound professional. This is how Sissy Spacek’s Loretta Lynn sounded in Coal Miner’s Daughter.” I remember his words verbatim because I immediately wrote them down. Moreover, the dramatic plot of “Singing in the Rain” was about what happened when an actress with no singing talent was made to look and sound like one at the expense of a naturally talented one. singer. I think the moral of the film was simply that actresses and actors who do not have certain talents should not be presented to the audience falsely as having such talents. Perhaps, however, the film industry in Tinsel Town was unfortunately moving in this direction. it was a less than desirable arrangement at the 1953 Academy Awards, perhaps that’s why it didn’t get the perfect musical that year.

I was born in 1951 and saw “Singing in the Rain” for the first time in 1969. This was partly because my parents were not moviegoers at all; and partly because of my own work-related priorities in my teenage years. I read my first commentary on the musical shortly after seeing it, recalling how the cast practiced day and night to achieve choreographic perfection, down to blistered and bleeding feet. Eighteen years after the musical premiered, I assumed that the hard work involved in the dancing, singing, and acting required of award-winning musicals was an indelible standard. You know, associated with the old American proverb: “what’s hard, we do it right away; what’s impossible, it takes a little longer.” Well, I don’t want to believe that there aren’t more talented actors and actresses who can sing, dance and act like Gene Kelly, Debbie Reynolds and Donald O’Connor. Moreover, I don’t want to believe that great dancers, singers, and actors can only appear today as products of institutions like Julliard or certified prodigies. Gene Kelly, Debbie Reynolds and Donald O’Connor were not child prodigies. They were normal human beings who became great by constantly working hard to develop and perfect their artistic talents. And they did it so perfectly in “Singing in the Rain.”

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