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Ableton Live How to – Use Ableton to Get the Perfect Kick Drum

When it comes to rhythms in Ableton Live or any other software, people often struggle to capture that really heavy thump that they’re used to hearing in professionally produced music.

It can be a combination of a few things, but it usually boils down to a lack of knowledge when it comes to preparing sounds and giving them space in the mix.

It’s often worth remembering that it’s harder to get really crisp and fat bass tones with software than using a decent drum machine, but that doesn’t mean it can’t be done.

So what do you need to consider when kicking and how do you achieve a sound that makes your body tremble on a large sound system?

First, consider whether you want the drums or the bass line to carry most of the low energy. In order to get the results you want, you really need to start thinking about where the numbers are in the mix.

This is arranged using EQs to give room in the mix for each part of the track. This kind of thing scares a lot of people because it’s considered very technical, but it doesn’t have to be as long as you have a good ear and work methodically. We will talk more about EQ in another article. For now, we’ll focus on the kick drum itself.

Let’s assume for this example that your kick will provide the lowest energy.

With the drum kits, drum plugins, and easy-to-find samples that come with Ableton Live, you can take many different approaches.

You have to take into account the fact that all these types of things have been played to death and the original sound of the kick can be difficult. So here’s what I would do…

I highly recommend you start creating your own kick sound by layering 2 or more different kicks on top of another peak noise to get the moment.

To do this, open a drum rack in Ableton and select the first kick pattern. Given that the kick will be bottom end, I recommend grabbing an 808 kick pattern as they are very deep and have a solid bottom end.

Then grab an auto filter and use a low pass filter to remove the mids and highs. This leaves a good strong low for the new kick.

Next time, buy another kick drum, but this time look for one that has a nice midrange tone. (Possibly a live kick drum or whatever else you can find.

Again, use one of Ableton’s automatic filters, but this time a band filter. Bandpass filters allow you to cut off low and high frequencies at the same time. Be sure to take off the low end as the previous 808 model carries it.

Leave as much of the top as you want, that part is up to you. It can be tweaked later to refine the sound of the kick, but it can take away some of the top quality. You will fill this gap within a minute.

Finally, you want to grab some sharp peak. You can use a snare drum, hi hat, hand claps, pretty much anything with a high frequency.

Stick a filter on it again, this time using a high-pass filter to leave the high-end “pop”

Now all you have to do is play those three samples at once and start tweaking the filters until you get a sound you like. This ensures the original sound.

When creating the kick, it’s important to use the filters so that each of the three samples has its own place in the mix. You don’t want them to cross over too much. Remember that you are simply creating a kick from the three separate samples.

When you use a drum rack inside Ableton Live, each sample in the rack is stored inside a simpler one, so you can make changes to the three samples individually.

I highly recommend going into each sound and adjusting the filter frequency and resonance with the control knobs more easily. You can change the sounds beyond recognition and get really creative.

Remember that the drums will be playing for most of the song, so the more time you spend here, the better. Do justice in your footsteps and put time where it counts!

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