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All You Need to Know About Neoclassical Metal Guitar

Neoclassical metal guitar is a newer genre of guitar playing that was introduced in the 70s or early 80s. It is a subgenre of heavy metal influenced by classical music, both in composition and execution. This makes the song structure of this type of music rather complicated, as it is progressive rock and classical Bach, Paganini, Pachelbel, Mozart, etc.

Although guitarist Yngwie Malmsteen probably represents the genre more, the beginning of the 70s and 80s, with guitarists such as Ritchie Blackmore (Deep Purple) and Randy Rhoads (Ozzy Osbourne). Most neoclassical guitarists had experience with classical music or keyboards. The popularization of this movement is strongly influenced by the rise of “shred” (many guitarists such as Yngwie Malmsteen were inspired by Niccolo Paganini’s impressive solo violin)

Randy Rhoads was one of the first neoclassical guitarists. The fact that in addition to musical studies, Rhoads also practiced the “shred”, which made him stand out from any guitarist of his time. In addition to Rhoads, Yngwie Malmsteen also contributed greatly to this genre. He contributed to this genre by transcribing and adapting classical pieces for electric guitar, such as Mozart’s 5th Symphony.

This style and the characteristics of the neoclassical metal guitar are very distinctive. Some of them:

Pedal points: Repeating one or more notes interspersed with a melody.

Ostinato: Strict repetition of a pattern.

Recording on the scale: on a stylized up or down scale with a fixed pattern.

Fast Arpeggios: Mainly used for sweeping.

It is played at high speed, with a strong emphasis on ornamentation (frequent use of vibrato, which is also strong), with instruments and timbres reminiscent of classical music, such as piano, violin, orchestral sounds, etc., either with a synthesizer or with real instruments.

The following scales and resources are used for neoclassical metal guitar playing:

Harmonic minor scale: The Lipari mode is the seventh step of a semitone.

Melodic minor scale: the Lipari mode with 6th and 7th step semitones.

Diminished Arpeggios: A series of minor third chains.

Circle of Fifths: A chord sequence that moves each chord up a fifth: Az m, Re m, G, C, F if dim, My, La m (for example).

Suspensions: Velocity or “final chord progressions” in which the harmony of the chord ceases, for example, the 3rd is replaced by a 4th, the 5th is replaced by a 6th, or the 8th is replaced by a 9th.

It also highlights the use of the tritone, a musical interval spanning three rings (six semitones). It is very common in styles such as heavy and progressive rock due to its dissonant sound. This interval included “Diabulus in musica”, which was considered “evil” in the past and was never included in the works. For transcribing, adapting and imitating classical pieces, the violin is usually used as a solo instrument.

Most of the scales and melodies for the neoclassical metal guitar come from the works of Johann Sebastian Bach, Antonio Vivaldi, Niccolo Paganini, Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially the first three.

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