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Beethoven – The Music Genius of All Time

“Beethoven expanded the boundaries of the classical style beyond all previous ideas, but he never changed or abandoned its essential structure, just like the composers who followed him. In other fundamental aspects of his musical language, as well as in the key relationships, it can be said about Beethoven within a single movement that within the classical framework remained, even as he used it in a startlingly radical and original way,” said Charles Rosen in his classic survey, “The Classical Style.”

Keeping this quote in mind gives a clear picture of the overall genius of Beethoven who created eternal melodies and immortal symphonies that are considered masterpieces in today’s world. To understand the bona fide class of this master, it is important to examine his background, how he became an archetype of the Classical and Romantic eras.

A brief history

German-born Ludwig Van Beethoven was born on December 17, 1770 in the home of Johann, who was an experienced violin, piano and singing teacher. Teaching music was his bread and butter, as he was a chapel master (Kapellmeister). From an early age, Beethoven sang soprano in the same chapel where his father was the chapel master who taught Beethoven, the violin and the piano. From the age of 8, he studied with many local organists and even received piano lessons from Tobias Friedrich Pfeiffer, where violinists such as Franz Rovantini gave him violin and viola lessons. Despite being a born artist, Beethoven’s musical brilliance was associated with Mozart’s, he never got beyond the elementary level in school education. As a teenager, in 1787, he went to Vienna for unknown reasons, but some say he even met Mozart and took lessons from him. Within two weeks of his return, his world suddenly changed for him as his mother died and his father became a drunkard. At the age of 19, Beethoven officially asked to be known as head of house and began receiving half of his father’s salary to support his siblings.

Beethoven moved to Vienna in 1792, where his father died the same year. His father died in December of the same year. He studied with Haydn for a limited time due to a personality clash. Beethoven then studied with the most famous Viennese teacher, Johann Georg Albrechtsberger. He studied counterpoint and counterpoint exercises in free writing, two- to four-part fugue, imitation, choral fugue, double fugue, double counterpoint in different intervals, canon and triple counterpoint. With this learning process, he created more and more, where in 1800 he performed the first symphony and a septet (op. 20). He became deaf at the age of 20, and Beethoven’s whole life was completely transformed, although he tried to hide his disability from the world, but failed. Beethoven used a special rod for his piano soundboard that he could chew on – the vibrations then traveled from the piano to his jaw to amplify his perception of sound. By 1814 he was completely deaf. After 1815, no successor applied for patronage, and Beethoven relied mainly on the sale of composition rights and a meager pension.

A born genius

The question arises as to how a great composer like Beethoven wrote the 2nd, 3rd symphonies (the 3rd symphony was titled Eroica Bonaparte, which was a tribute to Napoleon Bonaparte) and the 4th symphony 1800-1806 between what were the early days of his deafness? What can we say about his imaginative thoughts, since he was a gift from God and no one can develop this by himself. If he had been intelligent enough, he could have studied well in school. But he was the chosen one who created such music that is immortal. The talent was there, it was only necessary to refresh this talent, which revolutionized the world of music.

In the test of time, it is clear that his symphonies, along with his other works, have become masterpieces. Beethoven loved a woman named Fanny, but he never married. He spoke of it in a letter: “I have found only one whom I will undoubtedly never own.” The romance in his sonatas is quite evident about his true love. Beethoven composed many musical works during his lifetime. Each piece reflects his brilliance, with its own style and design, variations and modulations. Although Beethoven’s music varied from symphonies to sonatas, his specialty was piano concertos, string quartet sonatas, and symphonies, which were his favorites. Beethoven’s career as a composer is usually divided into early (until 1802), middle (1803-1814) and late (from 1815) periods. Some of the classical pieces of the early period include symphonies 1 and 2, string quartets 1-6, piano concertos 1-3, and the first 20 piano sonatas, including the evergreen “Moonlight” sonata.

His middle (glorious) era began with the discovery of deafness. Famous for a wide range of scores expressing struggle and heroism, medieval works include the Fourth and Fifth Piano Concertos, six symphonies (Nos. 3-8), a violin concerto, a trio concerto, the following seven piano sonatas (these include the Waldstein and Appassionata), five string quartets (Nos. 7-11) and Beethoven’s only opera, Fidelio.

The last period is considered the era of romanticism. The music from this time is characterized by its intellectual depth, formal innovations and intense personal expression. For example, the Ninth Symphony, the Missa Solemnis and the “Hammerklavier” sonata are the best-known masterpieces of the past period. After his death, every musician in the world has been inspired by Beethoven’s music to some extent and at any time during their musical career. The biggest example of this is that in 1972, the European committee that designed the European flag adopted Beethoven’s “Ode to Joy” from his 9th symphony, which became the official anthem of the European Union in 1985. films, both theatrical and television releases. Since his death in 1827, the influence of Beethoven’s music on subsequent generations of composers has been profound and will continue for centuries to come.

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