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Beginner Guitar Lessons – How to Learn the Major Pentatonic Scale and Have More Fun With Your Guitar

Guitar players often come into contact with a pentatonic scale early in their guitar playing adventures. Did you know that there are many different pentatonic scales?

Technically, any group of five five notes corresponds to a pentatone. Well, that’s pretty scary, isn’t it!

Fortunately, we only need to know two types of pentatonic combinations, the major pentatonic and the minor pentatonic, to produce the notes heard on most commercial recordings.

Knowing the major and minor pentatonic combinations is essential for the advanced guitarist, as these versatile notes fill the guitar playing with exciting, dynamic and colorful sounds and elevate the listener’s interest to a new level.

Main pentatonic structure: Major pentatonic scales are constructed by taking a diatonic major scale and omitting the 4th and 7th notes of that scale.

examples:

C major is diatonic

CDEFGABC

C major pentatone (five notes)

CDEGA

G major diatonic

GABCDEF# G

G major pentatone (five notes)

GABDE

Great diatonic

ABC# DEF# G# A

A major pentatone (five notes)

ABC# EF#

Main pentatonic scale application: country, folk, country rock and easy listening commercial/adult radio songs.

Even though the minor pentatonic is often cited as the ideal group of notes for any musical situation, street-smart guitarists with practical band experience know that the minor pentatonic combination is not the best choice for certain songs.

Let’s compare the notes in the two pentatonic scales.

C major pentatone – CDEGA

C minor pentatone – C Eb FG Bb

As you can see, some notes are common to both scales, however, you will notice a number of notes that are different.

This explains why a beginner guitarist can play happily without being aware of the differences in pentatonic scales… until he plays a sour note, which he tries to disguise by bending or sliding the guitar fretboard in a desperate search for a better sound. note.

Of course, it would have been much better (and less embarrassing) to determine which scale was the right choice for the given musical project… before landing in a sticky musical

state.

Many players just shake their heads and walk away from the whole scale/theory aspect of guitar playing, thinking it’s too confusing.

Remember, your ears only take you so far… this is where qualitative music theory can help you (a) find the sounds you hear in your head, and (b) help you understand the language of music.

No point in wasting precious time reinventing the musical wheel!

I invite you to use these tips and tools when you play guitar.

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