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Doo Wop – Rhythm And Blues Vocalized Into Gorgeous Melodies

Influenced by rhythm and blues, doop-wop was a sonorous, harmonized genre that used phonetic syllables (doo-wop) without obvious meanings to create rhythm and harmonic arrangements. Primarily an African-American musical genre, it became popular as a separate genre in the 1950s and 1960s.

At that time, Doo Wop also meant young people on street corners, who gathered in groups of 5-6 people and harmonized to the sounds of doo-wop for fun. These young people derived much of their musical background from the teachings and music of local black churches, and as such were particularly adept at adapting to this new genre of singing. They brought fun and a carefree philosophy to music.

This particular attitude also meant that they could be manipulated and really taken advantage of by various business people in the music industry, such as agents and record company contacts. It was even a common policy for label owners to put their own name (instead of the musicians’ name) as the actual author of the music, since he was already known in the music industry and this would make marketing the record much easier. or so he told them.

Record companies often signed these inexperienced youngsters, allowing the artists themselves to cover studio and promotion costs! They also had to agree that they would be paid not by the number of records sold, but by the session.

To make matters worse, musicians often had to perform for free at major shows and even had to pay to appear on TV shows. In addition, all rights to the original songs had to be released to the record companies, and the agents took 50% of their earnings.

The tragedy of this is that the groups would in all likelihood have survived and produced more music if they hadn’t been so cheated by their own record companies. These companies were mostly startups themselves, and thus more likely to have benefited from relationships and practices that did not alienate the artists they represented.

Some doo wop groups include:

The Dubs, who released “Could It Be Magic” with singer Richard Blandon. Although it was not a big hit when it was first released in 1957, it is still one of the classics of doo wop.

The Duprees, one of the finest Italian doo wop, created delightful doo wop harmonies, none other than the very successful “you belong to me”, previously recorded by Patty Page, Jo Stafford, Dean Martin and Joni James.

The Elegants are a doo wop group from New York City, best known for their 1958 hit “Little Star”. This title topped both the R&B and pop charts. They were a white band led by Vito Picone

“In the Still of the Night” is another doo wop gem released in 1954 by The Five Satins. Known as a true classic of this musical genre, “In the silence of the night” was recorded in the basement of a local church. Fred Harris was the leader of the group and was actually drafted into the army and stationed in Japan when his song hit the charts.

Doo Wop music occupied and occupies a special place in the hearts of music lovers everywhere. Known in some circles as “the music of the streets”, its popularity declined with the introduction of early British rock, also known as the British Invasion, in the mid-1960s.

Doo Wop has an international and diverse audience. Concerts and events are still organized today and continue to impress the audience, which at the same time combines the elders with their grandchildren, who are often brought to the performance.

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