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How To Make Trance Music – What Equipment Do I Need?

To create your own trance tracks, you first need to choose a DAW. It stands for Digital Audio Workstation and you can use this software to create your tracks. I recommend Logic Pro (only available on Mac) as it’s easy to get started, yet very professional and has lots of tutorials online.

If you don’t have a mac or don’t want to use Logic, your other options are Ableton Live, FL Studio, Pro Tools, or Reason.

Next, let’s take a look at some of the other equipment you’ll need to produce high-quality trance before looking at how to actually produce trance.

A good sound card is an important element of any home studio.

Your computer’s sound card transmits sound from the microphone or keyboard, so it can have a big impact on the sound quality of your recordings. Standard sound cards installed in home computers are fine for normal use, but are often not designed to handle complex recording jobs, as they can often cause latency issues.

To avoid this, it is best to choose sound cards that are specifically designed for recording, such as midi or audio interfaces). They have many advantages:

They work quickly and smoothly, and come with a variety of inputs that allow you to connect guitars, microphones, keyboards, etc. direct connection and can often record multiple instruments at the same time.

Sound cards can be built-in, or you can connect external cards to your computer via USB or Firewire. Before you buy, think carefully about what you want to record and what inputs you will need. A good sound card doesn’t necessarily need a lot of inputs unless you want to record many instruments at once, but a good selection of different types of inputs is always useful. Producing Trance doesn’t require as much input in other types of music as you don’t need to record instruments at the same time as recording a live band.

Here are some examples of sound cards. I’d recommend the Apogee One for its premium sound quality (around £170) or if you’re looking to spend more money, duet or ensemble. Other good sound cards include the M-Audio Fast Track Pro and the RME Fireface.

If you’re serious about music, you really need a hardware controller. There are different types of controllers, such as pads for creating drum patterns and midi keyboards. These controls make it easier and faster to record and mix music in Logic and any other sequencer. Also, most of these controls come with presets that allow them to plug into your DAW right out of the box. They also have a huge variety of features, some are just plain keys and others include transport controls, faders and rotary encoders. Midi keyboards are usually available in 25, 49 or 61 key versions. I recommend the basic M-audio Keystudio, or if you want to spend more money, the M-Audio Axiom or the Novation SL MK2.

*NOTE* A Midi keyboard or hardware controller is different from a synthesizer. This means it only works when connected to a computer and doesn’t have built-in sounds.

Headphones and monitors:

If you make any type of music, you need the right monitors to listen to the sound. Cheap computer speakers are simply not good enough for listening to a mix. This is because studio monitors are designed to smooth out the sound, giving you a more accurate picture of how the music actually sounds. However, computer speakers do not do this, so the sound you actually hear can be distorted and fake. Therefore, you have two options: buy a pair of studio headphones or invest in a more expensive but more accurate studio monitor.

Headphones tend to be cheaper and do the job effectively, but not nearly as accurate as a good pair of monitors. A headphone should be light and comfortable to wear for long periods of time, as well as provide excellent sound quality. Closed-back headphones help reduce the amount of noise that escapes to the outside world, which makes them useful for recording, as it reduces the chance of the headphone sound being picked up by the microphone.

A good set of studio monitors can greatly improve the quality of your mixes – if you can hear exactly what you’ve recorded, you can choose the right effects and adjust the levels accordingly. Studio monitors are available in two versions: active and passive. Passive monitors must be connected to an amplifier, while active monitors already have a built-in amplifier. The advantage of active monitors is that you don’t have to spend extra money on an amplifier, but if you have passive monitors, you can buy a new amplifier and automatically upgrade your monitors whenever you want without buying a whole new pair. If a mix sounds good on studio monitors, it will more than likely translate well to other systems due to their flat response.

Headphones tend to be much cheaper than monitors, costing only around £100, while much higher quality monitors tend to carry a premium price tag (up to £1000 for a very good pair).

My recommended headphones are any AKG or Sennheiser, and the monitor is the KRK RP6 G2 or the more “luxurious” Mackie HR824.

This is the standard equipment, of course you can get a lot of other things, such as hardware synth, VST, compressor, effect and microphone, etc.

There are many tutorials available on the internet to actually start producing, and there is a guide to producing trance music with logic, right here in the source box.

This guide provides step-by-step tutorials to get started producing trance in Logic Pro. Other points of interest include YouTube tutorials, searching forums, and reading the logic manual

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