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How To Write A Song

Have you ever wished you had this song on the radio? Maybe. It’s not that hard if you know the formula. With a little creativity, a little knowledge, a little luck and a good formula to follow, your song can be one of the biggest hits.

Songwriting is easy for some, very difficult for others. I actually wrote songs in my sleep and wrote them as fast as I could get the words on paper after waking up.

What I want to discuss here is popular songwriting, like the songs you hear on the radio. A good pop song, whether it’s rock, country or middle of the road, consists of two things: a catchy melody and some good lyrics.

There is a formula that most great songwriters use to write great songs. This refers to the structure used to write the song. Granted, this is music and art, so the rules aren’t hard and fast. But if you want to increase your chances of getting your song on the radio, this is a good place to start.

Here’s the formula. Verse, chorus, verse, chorus, bridge, chorus.

Write it down on paper, leaving enough space between each word, and that’s your script.

Poem

The verse is the part of the song that tells the story, the part that leads to the chorus. Each poem usually tells a different part of the story or completes it. It usually explains how you got to the thing you’re singing about in the chorus.

Choir.

The chorus is the part of the song that repeats after each verse. The lyrics are usually the same every time the chorus comes. The verse usually leads into the chorus, and the chorus is usually the payoff for listening to the verse. Does this make sense?

Here’s a lame example (you didn’t think I was going to give you my best work, did you?):

(poem)

My dog ​​is sick, he has ticks

He’s my best friend, don’t let it end

(choir)

Oh, woe is me, can’t you see?

Oh, will I ever be free

(poem)

My car broke down just outside the city

It was covered, but it broke again

(choir)

Oh, woe is me, can’t you see?

Oh, will I ever be free

Now, if you’d stop laughing at my lame song for a minute, I’d like you to think about whether you understand my point. Songwriting is storytelling. The verse tells the problems, the chorus expresses the results or emotions.

Okay, now that you’ve got that down, let’s tackle the bridge. Oh yes, there is more to the song than pain and release. We need the diversion. This is what the bridge is; it’s a distraction from the verse and chorus.

The bridge can have a slightly different melody, or even a different rhythm or tempo (Elvis’ “Suspicious Minds” did a great job on this technique).

Let’s go back to the lame song and add a bridge:

(poem)

My dog ​​is sick, he has ticks

He’s my best friend, don’t let it end

(choir)

Oh, woe is me, can’t you see?

Oh, will I ever be free

(poem)

My car broke down just outside the city

It was covered, but it broke again

(choir)

Oh, woe is me, can’t you see?

Oh, will I ever be free

(bridge)

Tomorrow will be a better day, I have a new truck on the way

Apparently my dog ​​had fleas, so I’m living my dreams again

(choir)

Oh, woe is me, can’t you see?

Alas for me, but now I am free

The bridge offers a solution to my problems. You don’t want to leave your listener on the verge of suicide, you want to give them hope.

Notice, I also changed the text of the chorus. This was done to reflect my new found joy.

One more thing about the formula. Be that as it may, most verses and choruses come in lines of 4. So instead of:

(poem)

Oh, woe is me, can’t you see?

Oh, will I ever be free

(poem)

My car broke down just outside the city

It was covered, but it broke again

would be:

Oh, woe is me, can’t you see?

Oh, will I ever be free

My car broke down just outside the city

It was covered, but it broke again

The same goes for the choir. Again, if you’re creative, do it your way. But for a new songwriter, it gives some guidelines to scratch the surface of a new composition.

One more thing: don’t turn up the tune so high that your fans can’t sing along. We’re definitely not Stevie Wonder.

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