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Mozart’s Don Giovanni: How Women Become More Important Than Men

Mozart used Don Giovanni to show his affinity for the female roles he had experienced in his life. In the 18th century, she was one of the first to show that women can be intelligent and lively in public life. This extroverted portrayal of women was more prevalent in the early 19th century, when women played an important role in European salons and literary circles. Mozart took the bold step of showing the “melange” of social classes. It also showed that men are weak and need women rather than the other way around. His people turn out to be pathetic creatures.

In the 18th century, women were given intellectual and artistic freedom as long as they were discreet. In the living room of the aristocracy there were male servants and ladies-in-waiting. The dual existence was meant to show that their devotion to their husbands took precedence. Donna Anna was engaged to be married, although Don Giovanni “scorned” her. This would have called his aristocratic status into question. Donna Elvira was also supposed to get married. He was in constant conflict with Don Giovanni. Their love-hate relationship prevailed throughout the opera.

Sexual freedom was part of social etiquette during the Age of Enlightenment. In 18th century Europe, it was quite common for both men and women to have separate extramarital affairs. Mozart’s wife tolerated his affairs only with the maids. He did not allow her to be friends with aristocrats or other women from the social elite. It should be understood that Mozart often wrote his female roles for women with whom he was in a relationship. He was the man who never found his mother. He was well known.

Don Giovanni was never discreet. He was not from the aristocratic class. Mozart was a Don Giovanni in disguise. He wasn’t terribly discreet and still belonged to the court. He had a patron and worked under the orders of the prince or church who employed him at the time of his composition.

By the end of the opera’s first act, the three women unite to show that they can exist without their male counterparts. In the second act, they work to get Don Giovanni.

The engaged Donna Anna would have had a waiting room, where either a servant or a lady would have waited. She was a strong-willed young woman who clearly pretended to be humiliated. Don Giovanni would never have entered its inner chambers. Donna Anna shows her aristocratic intelligence by running down the stairs and singing that she despised him. Maybe they just hurt his pride or ego. He is the stronger of the two who make Don Giovanni flee from him. Mozart loved strong, intelligent women.

Donna Elvira is also a strong-willed aristocratic woman who has been duped twice by Don Giovanni. Donna unites with Anna. Two of them are looking for him. They find themselves in a pub. Mozart once again confused the social classes. Don Giovanni, trying to get into the aristocratic class, now sings to Zerlina, a young barmaid who is also supposed to be betrothed. Mozart presents three women who cannot enter the outside world.

The three men of the opera can be analyzed as weak and capricious. At the end of Act 2, the three women see Don Giovanni for who he really was. He is a young weakling who never gets what he wants. He goes after women who are impossible. The father, who turns into a stone statue when he loses his life in a duel, asks Don Giovanni to repent. When he refuses, the Comandatore drags him to the ground. Maybe they both went to hell?

The opera presents the social tension. The pride of a woman’s public reputation is more important than her own personal integrity. Donna Anna uses the dichotomy of fame versus sexual freedom behind doors to her advantage. He frees himself from Don Giovanni and maintains his reputation. No one will ever know what happened. Donna Elvira forgives Don Giovanni and asks him to change his ways. He loses interest in her. Donna Elvira spends her life in a convent. Zerlina is free to go back to her fiancé. Donna Anna refuses marriage proposals as her father has just died. Did he want his freedom, as Mozart suggested, or did he want to respect the customs of the year after a parent’s death? Mozart makes fun of different social customs

Mozart stood up bravely, showing that the existence of women does not depend on men. The women banded together and got what they were looking for. In the opera, the three women stand together. Mozart was ahead of his time. They were strong, vibrant women who took control. Don Giovanni, a disillusioned young man, searches for his mother, whom he never finds. Mozart was a prolific composer who died poor. His infatuation with women and low regard for men would be the sin that would bring about his downfall.

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