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Nam June Paik – An Extraordinary Visual Artist

Nam June Paik was once a Korean-American Contemporary Video Artist of the early 20th century. Born on July 20, 1932, in Seoul, to a textile entrepreneur father, Nam June began his musical coaching as a classical pianist proper from an early age. He then again needed to reduce it quick because of the circle of relatives’s migration to Japan by means of Hong Kong in 1950 right through the Korean War (1950-53).

Nam June Paik graduated from the University of Tokyo in 1956, the place he wrote his first thesis on an Austrian-American composer Arnold Schoenberg (1874-1951). Then he moved to Germany the place he studied the historical past of track on the Munich University. Here he additionally met composers John Cage (1912-92), Wolf Vostell (1932-98), and Karlheinz Stockhausen (1928-2007) who evoked Paik’s pastime in Electronic Arts. Inspired by means of John Cage and his method of the use of day by day sounds in track, Nam participated in Fluxus, a Neo-Dadaist artwork taste. He debuted on the ‘Exposition of Music-Electronic Television,’ an exhibition the place he used distorted photographs on tv units. Paik was once thought to be the primary artist to include Audiovisual Art, merging video and audio information right into a unmarried piece.

Paik moved to New York in 1964 and collaborated with American cellist & efficiency artist Charlotte Moorman (1933-91) to mix his digital visible presentation along with her track & efficiency. In the paintings ‘TV Cello,’ they used stacked tv units to shape a cello type, which confirmed a picture of her taking part in cello as she drew the bow around the display. Paik and Moorman labored in combination on ‘Opera Sextronique’ (1967) and ‘TV Bra for Living Sculpture’ (1969). Nam June Paik is regarded as the daddy of the time period ‘Information Superhighway,’ which refers to virtual conversation programs and the web telecommunications community. In 1974, he even innovated the concept that of ‘Electronic Superhighway’ in his transcript known as ‘Media Planning for the Postindustrial Society.’ The identical 12 months, an American media technologist Judson Rosebush (b. 1947) compiled Paik’s early works in a e book titled ‘Nam June Paik: Videa ‘n’ Videology 1959-1973,’ revealed by means of the Everson Museum of Art, Syracuse, New York.

Nam June Paik’s well-known works come with ‘Something Pacific’ (1986) with the faces of sitting Buddha on a closed circuit TV. ‘Positive Egg’ had a video of white egg displayed at the track. He used the photographs of fish in aquarium on other displays for his album ‘Video Fish’ (1975). His perfect piece ‘Electronic Superhighway: Continental U.S., Alaska, Hawaii,’ (1995) is an exemplary paintings on cultural grievance. The piece stays displayed within the Lincoln Gallery of the Smithsonian American Art Museum, Washington DC, by which he conveys his message about America’s obsession with tv and shifting frames. Paik additionally created robots the use of wires & metals and ultimately radio & tv portions.

A show of Paik’s paintings was once held in 1982 on the Whitney Museum of American Art, New York. Here, he demonstrated a linkage between South Korea, New York, and Paris. In his paintings ‘Bye Bye Kipling’ (1986), Paik created a tape with different are living techniques from South Korea, Japan, and USA. In 1988, he created ‘The More the Better,’ a large tower of 1003 displays for the Seoul Olympic Games. He served as a professor at Kunstakademie Düsseldorf, Dusseldorf, right through 1979-96. Paik suffered a stroke in 1996 that left him partly paralyzed. In 2001, the International Sculpture Centre commemorated him with a Lifetime Achievement Award. Nam June Paik died on January 29, 2006, in Florida.

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