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Psychodrama and Christian Counseling – Christian User-Friendly Psychodrama
Psychodrama began in 1921 with JL Moreno, a physician who immigrated to the United States from Austria in 1925. Blatner defines psychodrama as a psychotherapy method in which patients act out significant events in their lives instead of simply talking about them. This involves exploring dimensions not only of historical events but, more importantly, of psychological events that are not usually addressed in traditional dramatic processes: unspoken thoughts, encounters with those who are not present, representations of fantasies about what others feel and think. , envisioning future possibilities. and many other aspects of the phenomenology of human experience.
Even before leaving Vienna, Moreno was actively pioneering many concepts that most counselors today take for granted: group psychotherapy, action methods, and warm-ups, for example. Psychodrama in its most comprehensive definition has developed many applications: group psychotherapy, clinical role-play, supervision, marriage and family therapy2, drama games, play, social drama, and therapeutic community; and off-shoots such as Playback Theater developed by Jonathan Fox. He influenced many therapeutic trends: Fritz Perls (gestalt and the empty chair technique); Virginia Satir (family therapy and family sculpture, which Moreno called action sociograms); Transactional Analysis by Eric Berne). For Christians, one of the most brilliant recent developments is Peter Pitzeles’ bibliodrama3, which is presented as a form of midrash, an experiential form of Jewish/biblical storytelling.4 Why psychodrama is wonderfully suited to Christian counseling. One of the biggest appeals of psychodrama for Christians is the fact that it can be so Christian user-friendly. 5 Moreno, although born into a Sephardic Jewish family, was sympathetic to Christianity. He once said that Christianity could be considered the most ingenious and powerful psychotherapeutic operation ever invented.6 Morenos’ appreciation of the healing properties of religion, a concept that runs counter to most psychological thought in this century, is a thread that runs through it all. about his works.
Moreno envisioned a religion based on the recognition of God-likeness in all people and the ability to bring out the creator in each person. The expression of these religious beliefs would be in action, in interaction with others, according to principles based on the sacredness of spontaneity and creativity inherent in each individual. He assumed that if we get sick in relationships, we should be healed in relationships, a therapeutic ministry that the body of Christ should offer to everyone who becomes a member. While most talk therapy emphasizes the verbal mode of healing, psychodrama brings the actions of body language, role-playing, and behavioral rehearsal into psychotherapy. Since most of what happens to us is a whole experience, much more than just verbal, the techniques of psychodrama allow us to relive life, understand it, affirm it, reframe it, manage it, and learn new behaviors. in a safe and protected atmosphere. The relationships between group members reproduce society as well as their own personal forms of relationships in micro-format within the group, giving us the opportunity to see locally how members interact, give feedback to them, and even work through conflictual relationships to gain. new ways of interacting.
The basic framework of psychodrama: The basic framework of psychodrama requires a director (the therapist), an assistant (a co-therapist or group members), a stage (where the action takes place), an audience (the other members of the group) and a protagonist (the group member who they are working on his problem). The beauty of this structure is that it allows the protagonist to project whatever they want to work on onto the stage. The story belongs to the patient and not to the therapist. Anything in one’s imagination can be worked on, including metaphorical and religious themes such as the relationship with God.9 Once the various objects/persons are on stage, the protagonist has the opportunity to examine their meaning and significance on a concrete level. what do you want to do with these things. You can also try different ways of doing things with the assurance that if they don’t work on stage, the client can delete them, try again or go back to the old ways.
Another advantage of psychodrama is that it provides a safe environment where specific conversations can take place. Many patients are encouraged by their therapists to go home and talk to the significant other they feel has hurt them. Sometimes that person is unavailable due to death or distance, or sometimes it is simply inadvisable. In contrast, the stage of psychodrama offers a unique opportunity for these conversations to take place. The healing that usually occurs in such situations is permanent and irreversible. Find a therapist who can help you solve your problems.
Even if it wasn’t with the real person, it was a real conversation and a real decision. Perhaps Moreno’s gem of psychodrama techniques is role reversal. Putting yourself in someone else’s shoes results in empathizing with that person’s feelings, peering into that person’s soul, gaining new insight into what makes them tick, and perhaps discovering what makes them do what they do. This often means succumbing to preconceived notions about the person and their motivations. It is impossible to return to our own role after a turn and be the same. Man knows something he didn’t know before.10 Perhaps the greatest example of a role change is that of God himself, when he takes on humanity in the person of Jesus Christ. It is interesting to note (as a psychodramaturgist, not a theologian) that the redemptive work of salvation culminates in the cross, where God, in the person of Jesus Christ, switches roles with humanity, feels our pain, sin, and lust, and then dies in our place. The resurrection is the final seal that establishes our access to the Lord. From then on, nothing can separate us from God’s love.
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