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Recalling Iconic Shammi ‘Yahoo’ Kapoor!
Post-independence Hindi cinema was divided between the instant greatness of Dilip Kumar, the genius of Raj Kapoor and the coolness of Dev Anand. There was hardly any room for anyone else to register an icon, but nestled somewhere between the three icons was a man named Shammi Kapoor, the ultimate male icon of the 1960s.
Shammi Kapoor was so cool that he was perhaps the only actor whose fans were proud to be his fans.
Shamsher Raj Kapoor never had it easy and frankly, he never wanted it any other way. Born to the illustrious Prithiviraj Kapoor, Shammi started acting when her elder brother Raj was already a great artist at the age of 24.
Shammi tried to fit into the pre-existing molds that Hindi cinema operated, but after his first break with Nasir Husain’s Tumsa Nahin Dekha (1957), Shammi created a persona that was forever etched in the annals of Hindi cinema.
Here are some things that were special about Shammi Kapoor, the original rock star of Hindi cinema!
• Rock star:
Forget Ranbir Kapoor starring in the movie Rock Star because he’s not a blemish on his uncle! The non-conformist that Shammi Kapoor has transformed into may have always existed in him. Until Tumsa Nahin Dekha, he did exactly what everyone else did, but gave him half a chance to transform into the rock star we know him as today. Of course, Dev Anand was Hindi cinema’s first “western” hero, but Shammi, in Elvis-Presley-meets-James-Dean fashion, was far from appealing to the youth with his clothes, his hits or his mere presence. .
It was once the most popular search engine on the Internet, but for millions of Indians, Yahoo is nothing less than a war cry. The film was Junglee (1961) and the title song was meant to capture the essence of a man who knew no boundaries, and that little phrase ended up defining a generation. With Shammi Kapoor rolling down snow-capped mountains, shouting Yahoo without a care in the world, Junglee is one of the most beloved films of the 1960s.
• Dancin’ Queen
Think of the famous Hindi film dances of the golden age and chances are Shammi’s moves would top the list, ahead of the likes of Helen or Bindu. The man invented his own inimitable dance style, and no one even came close to his coolness. Songs like Aaj Kal Tere Mere Pyaar Ke Charche (Brahmachari, 1968), Govinda Aala Re (Bluffmaster, 1963), Badan Pe Sitare (Prince, 1969) and O Haseena Zulfonwali (Teesri Manzil, 1966) among many others they spread infection. There’s no way you’ll be moving your feet to Shammi Kapoor’s track.
There has never been an actor like Shammi Kapoor who has appropriated the singer’s voice. Legend has it that when Mr. Rafi passed away, someone simply told Shammi that he had lost his voice. Shammi sat with Rafi during the shoot and asked him to sing in a special way that brought his crazy antics to life on screen. Shammi even got Rafi to convince OP Nayyar to change Tareef Karoon Kya Usski from Kashmir Ki Kali (1964) only to suit his acting. There has never been an actor-singer duo so good together that you don’t know where the crooning ended and the acting began.
If Kashmir ever needed an ambassador, Shammi Kapoor would be the choice. Between 1958 and 1971, almost all of Shammi Kapoor’s films were shot in Kashmir, so much so that many believed the actor was from paradise on earth. Even today there are shikaras who have Shammi Kapoor connection. Like the man himself, his films broke the shackles that gripped Hindi films and came out of the studios and into the beautiful regions of Kashmir.
• Teesri Manzil:
Teesri Manzil (1966) with its peppy RD Burman numbers (O Mere Sona, Tumne Mujhe Dekha, Aaja Aaja Main Hoon Pyar Tera, O Haseena Zulfonwali) and Vijay Anand’s nimble editing and deft direction, Teesri Manzil (1966) is now the film that comes to mind. every time someone mentions Shammi Kapoor. Usually an actor who fits into a role or a film, but Teesri Manzil is a film that fits Shammi’s sweet rebel personality perfectly. Ironically, much like Shammi’s breakthrough film Tumsa Nahin Dekh (1957), this too was passed on by Dev Anand!
True to his yahoo avatar, Shammi Kapoor was not only one of the first celebrities, but one of the very first people in India to join the internet bandwagon. Shammi Kapoor, the founder and president of the Inter Users Community of India (IUCI), has been instrumental in setting up a number of Internet organizations in addition to running his own website. Towards the end, he was a regular on social networking sites such as Twitter and Face Book.
No wonder most people still believe that yahoo, the internet giant, can only have an Indian connection!
• Goya Ke Chunanche:
In 1974, when Shammi Kapoor decided to stop playing the hero, he directed a film called Manoranjan. Based on Irma La Douce, Shammi has roped in Abrar Alvi to write the film and music has been composed by RD Burman. The story of Ratan, a boat cop in Manoranjan Street, a street haunted by pimps and soft-hearted prostitutes, and his love affair with Nisha, a prostitute he considers dear, is much like the male director. it’s: irreverent yet charmingly effervescent.
Despite not doing well at the box office, Manoranjan is great entertainment. And who could forget Goya Ke Chunanche, the peppy Zeenat Aman number born out of a no-nonsense verbal volley between Kishore Kumar and RD Burman.
Shammi Kapoor has left a void that can never be filled… and there’s no point in even thinking about a replacement because there was never anyone who could even remotely come close.
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