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Setting Up A Studio for a Voice Over Actor

If you’re going to be a successful voice actor, you need a broadcast quality studio or your files will be returned and your reputation will plummet. Buy the best microphone you can afford – but it has to match your voice. You need to go to a well stocked audio or music store in town, try out a few in your price range, and record your voice using a high end “pop” filter hoop…a ​​must for any voice actor. Request playback through decent HiFi speakers in a quiet room. Don’t just listen live through headphones, it won’t give you useful feedback on the quality of the microphones being tested.

So what do you listen to while playing? Well, a voice over artist needs a microphone that brings out all the “nice” harmonics and reduces the “bad” ones. I personally use a Neumann U87 and Neumann TLM 103 as they seem to suit my deep bass sound. It gives my voice resonance and authority while maintaining upper (high) clarity. Years ago, when I was testing microphones, I found that the Electovoice microphones muffled my voice for some reason, and the AKG’s were thin and lifeless when recording my voice. Still, I know actors who like these other mics, so you have to see what works for your own voice and use of the mic.

You can find USB mics (like the Rode NT or the Audio Technica AT2020) at a very good price, but I’d recommend avoiding them. A professional voice actor really needs a traditional large condenser microphone with an XLR audio connector, not a USB digital jack. As a rule of thumb, you want to spend at least $500 on a mic, and you might get lucky and find a well-maintained used one online for a big discount off the new price. You can also buy a good quality pop filter (double filters are usually the best) and a good quality anglepoise type mic stand so you can position the mic accurately, and a cage or spring mount for the mic. does not pick up desk vibrations.

So how does the voice actor tie it all together? The mic needs to be connected via a thick shielded XLR cable to a very good quality preamp such as a Focusrite Scarlett or the Steinberg UR 22 (which I have), which is then connected to a USB port on the computer. Aim for total silence in both the microphone and the recording chain, as well as the room or sound booth in which you are recording. Unless you just want to record “shouting” hard sell scripts, you may experience the slightest interference or hum. destroys the so-called “noise floor” in an actor’s voice recording. After finding a quiet room, the walls and ceiling should be treated with foam acoustic tiles. This is done to create a “dead” recording zone without acoustic reflection.

You may not want to record the sound on your computer. Actually, no. I prefer to connect my microphone to a standalone solid state recorder, the trusty old Marantz PMD 661. It gives me more flexibility to take out the SD card to edit the audio on the train, and I like the confidence that the stand alone recorder is doing its job 100% of the time without any computer programs interfering.

So what about where you will be recording as a voice actor? At home, ideally, you would have a great room or even a garage with a built-in professional sound booth, but these are very expensive, at least $4,000. These booths are very heavy and come in a huge box as a kit. It’s basically a big box that you enter through a door and usually has a window. Inside will be a table and a chair, as well as an on-screen microphone, keyboard and mouse.

If you can’t afford or have the space for a sound booth, you’d probably start with a small room to convert. Remember, you want the ugly, noisy computer with its fans OUTSIDE the room, next door, with wires and proper USB amplifiers to the keyboard, mouse, and screen in front of the microphone. Or if you have a soundproof cabinet that provides ventilation for your computer, that might work too. Audio output leads should go to the amplifier and speakers and sound meters in the studio (ideally sensitive professional PPM meters) that have a headphone jack for sessions controlled by phone or Skype, or any system such as ipDTL that they work very well. high quality “record at the end” settings.

On the computer you will need audio editing software (I use Adobe Audition) Skype, Word, PDF reader and that’s about it, apart from the email system you use to receive the jobs. It doesn’t cost a fortune to set up a good home studio, but it does cost a fortune to be a successful working voice actor. Good luck!

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