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Trends and Challenges in Modern Literature

Literary questions

The world is changing at an accelerated pace. It looks more and more like a giant stage where many postmodern scenarios flash before our eyes.

Do you not share this view? This is just a short reminder of the latest news:

Geneva, 10 September 2008. The first beam of the Large Hadron Collider at CERN was successfully guided around the entire 27 kilometer section of the world’s most powerful particle accelerator at 10:28 this morning.

A European court says the idea that a new super collider project could create a “sky vacuum” (a fancy name for a black hole) and eventually devour Earth is worth discussing, but the project can go ahead on schedule anyway.

Every morning we wake up to a cheap 70s SF movie. It is only a reflection of the “modern state” of human evolution. You have to admit it. We split the atom, the center of everything, and created chaos.

Contemporary poets reflect this chaos. Postmodern literature does the same. Take out the fragments. Out of the chaos, the modernists and postmodernists extract fragments of life around them. The reader is then left to piece together these fragments.

But don’t get caught up in traditional thinking when talking about addressing the modern and the postmodern literary questions. You have to be open to the experience and it will make sense! The modern author deliberately leaves the work open to the interpretation of the readers. Endless endings, very much like the world we live in. Are these just signs of new artistic trends, or the definitive literary answer to literary questions? about a new, changed reality?

Literary response

It is increasingly difficult to get today’s media-savvy new generations to read classic literature, given the powerful influence of movies, the Internet and the aforementioned circumstances.

You can blog, phlog, vlog, and podcast for free, and be prepared for appreciative readers. You can write and publish your own books (e-books) for a fraction of the price of a printed book. You can say that this is the good side of the text of life. Everyone can be a writer, and writing doesn’t seem scary anymore.

There are opinions that chatting on the Internet or sending frequent messages via mobile phone worsens our children’s language skills.

Communication and language skills have really improved with the advent of the internet. Basically, the more we chat, be it online, by email or mobile, the more we write, the more we express, and somehow our communication skills improve and our fear of English, French, German, Serbian or any other language disappears.

Emerging literary trends and technologies

Understanding the symbolism of this new literary medium can seem like a daunting experience. The first step to understanding is observation. So let’s see what are its main carriers literary response in the new millennium.

Collaborative writing

The Wikipedia definition of Collaborative Writing (this famous internet encyclopedia is an illustrative example of collaborative writing itself): “The term collaborative writing refers to projects where written works are created jointly (collaboratively) by several people, rather than individually”.

There is a saying: “teamwork makes the dream work”. Collaborative writing can often lead to books that are richer and more complex than those produced by individuals. Having many people working on a project added to the creative process. They can also be a huge support to each other. And you never know where the story will go! Endless endings?

Are you starting to recognize postmodern symbols?

Another analogy: Instead of the sequential representation used in traditional writing, Collaborative Writing removes all tools from interactivity in the creative process. Communication tools such as the Internet, cell phones, collaborative writing software, etc. through its use, the writing process is deconstructed and reassembled, and can be favored by the group, the community, and even the readers—the audience—rather than being lone and selfishly controlled by one person. .

Literature born from chaos. Another symbol of postmodernism that we have just discovered in the practice of applied literature?

This is why, despite the many tangible complexities associated with the idea of ​​Collaborative Writing, it presents a respectful literary phenomenon. It’s here to stay. The main challenge in the future will be how to put it in a context that is “acceptable to everyone” instead of constantly denying its relevance.

Own edition

Due to digital technology and the distribution possibilities offered by the Internet, small publishing is more feasible today than ever before. Independent voices can be made available to a large readership at affordable prices and offer fresh, non-fiction and non-fiction titles.

However, starting and running a small publishing house can seem like a complicated undertaking. Acquiring international standard book numbers, purchasing a unique Internet domain name for your publishing website, defining a niche for your publishing efforts, finding the best book printer for your needs, contacting small press friendly book reviewers and sending attractive press packages, attending smaller press conferences and contacting other small publishers are just some of the parts of in a conundrum that many indie writers aren’t ready or willing to tackle.

While big publishers can claim the majority of the profit margin, small publishers increasingly live and thrive in the circle of small entrepreneurs.

Visualization of literature

It’s a “hot phrase”, one of those that can make you look smart at a party. However, the roots of literary visualization go back to the first half of the last century. We all remember War of the Worlds, from HG Wells’ famous radio show, and few of you remember with nostalgia Jeff Wayne’s Musical Version, starring a star like Richard Burton as the narrator.

In its broad context, the visualization of literature includes all people’s interpretation of literature in different mediums. From recorded storytelling to video performances of popular film stars reading children’s literature, completing big budget film projects, digitizing literature and publishing e-books to large international projects such as Project Gutenberg. The industry of Book Teaser Videos is becoming more and more prestigious.

Another important aspect and interpretation of the term literary visualization is related to new, innovative writing techniques. In two words: “Show, don’t tell”. Anticipating the growing desires of a new generation of movie-goers and mostly visually-minded readers, authors tend to view their books as mini-movies, with multi-dimensional characters and distinct points of view.

Social networks Media transmission and new copyright models

In the age of WEB 2.0, social networks create a completely new medium for delivering a message to the masses.

The music industry was the first to recognize the full potential of the Internet and online communities. Many popular music stars and bands first published their work on the Internet. In time, they understood the potential of live and direct interaction with their audience and the short-term and long-term benefits.

The same processes take place within the literary society as well. The main issue of copyright has been successfully digested with the introduction of the brilliant Creative Common License, which offers creators the best ways in the world to protect their works while encouraging certain uses of them.

Literature changes inexorably, closely following global trends. It is important for literary scholars, authors and consumers to recognize the meaning of the questions of contemporary literature and the meaning of the symbolism of real literature given to the challenges of the new age. This new understanding adds quality tools to our literary arsenal, allowing us to enjoy it in different, new, exciting ways.

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