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Writing Songs With Ambiguous Lyrics – If Done As Shown Here, It’s A Great Tool for Songwriters

When writing songs, it’s important to recognize that the way we sing our lines affects the message we’re conveying. The words we stress in a phrase when singing a lyric actually CHANGE the meaning of the lyrics from our intention to something completely different. This is especially true when trying to convey an ambiguous message that carries more than one meaning. How the message is delivered can amplify or break our ambiguity.

As an example, let’s look at the third verse of the song Kings of Leon, “Use Somebody”.

Third verse:

If you survive the night, I’ll go to sleep

To fight wars to shake the poet and the rhythm

I hope you notice

I hope you notice

Someone like me

Someone like me

“Someone like me” has ambiguous tones. The following lines imply “someone like me…someone like me.” Or less subtly “I”.

That’s the main meaning here BUT it can also mean “SOMEONE please love me or love me. Ask someone, anyone, just the way I am.” Do you see that? It has a different meaning than the first one I mentioned.

So the lyric progression might be:

(I capitalized the words requiring emphasis)

1. I hope you notice

2. Someone like ME

3. Someone who likes me…

Or in other words, you can say:

1. I hope you notice

2. Me

3. Will no one like me?

Accentuation

So you see that this lyric has two possible meanings. But one thing to add to this is that the stressed words in lyric phrases affect what you say. Using the above example, saying “Someone like me” means something different than “Someone like me”.

The idea is that if you change the stressed words in a phrase, it can affect the meaning of the phrase. In the song “Use Somebody”, when the line “someone like ME” is sung, the word “me” is accented. Go listen to it. It’s around 2:20 on the field. You can watch it on YouTube.

Do you hear it? As he sings, he forces our brains to think about the meaning of line 2 above.

In other words, although the line is probably ambiguous, when Kings of Leon highlights the word “I”, it leads us to think of the meaning of “someone who is like me”, or simply “me”. ” If the word “like” had been emphasized, would it have taken on the second meaning of “nobody will like it”?

So it can be hard to see this line as ambiguous, because of our hearing. While the written line has two meanings, the sung (or spoken) version takes on only one meaning, depending on how you sing (or say it). In this case, we are forced to HEAR only one meaning (“Someone like ME”), when on a piece of paper, it READ as two things (“Someone like me” or “Someone like me”).

I didn’t have this problem with the ambiguity of “You know I could use someone” because in both possible meanings of THAT phrase (1. I either physically use someone or 2. I depend on someone and need someone), the accents are the SAME. This is a big deal. Because in this case it works. There is no problem if your lyrics are well written to support and reinforce the idea.

So, as a songwriter, not only is the hurdle of trying to create maliciously ambiguous terms in our lyrics, but now we have to make sure that BOTH meanings of those terms have the same emphasis, so that the meaning stays ambiguous! Oh man, this is getting tricky!

Try

What I am talking about here is somewhat advanced, as it is actually a combination of two topics. The first topic is writing sly, ambiguous lines, and the second topic is how the emphasized words in the song affect what you say.

In previous articles, I’ve talked about how stressing certain words can make a phrase sound unnatural, but here we see that by stressing different words, you can actually change the meaning of a sung phrase from one meaning to another. one. Powerful stuff. As always, I advise you to experiment with this and use it accordingly. I look forward to seeing what you come up with.

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